Welcome to the Rileys (2010) is an independent drama with a deep, captivating cast and a storyline that uncomfortably unravels its characters in an intricate and obvious manner. It has a way of reflecting the reality that everyone has their own personal problems and own way of trying to cope with whatever those problems may be.

Kristen Stewart. Welcome to the Rileys. 2010. Film Still.

I have to say out of any of the Kristen Stewart films I have seen, this is the one that [in my opinion] proves Stewart's ability to conquer roles outside of those seemingly typecast to her personality and vary beyond a "comfort zone." Stewart embodies a character that is completely different from what most audiences might expect. Through observing the way this character was portrayed, the almost over-played, typecast-awkward persona dissolves. In this independent drama, Stewart portrays a misunderstood,too-often mistreated, rebellious, and quite vulgar runaway teenager of who dances to make ends meet.


Stewart is not the only actor seen in a different light, James Gandolfini also portrays a character that audiences would not expect. A character dealing with a severe loss, but of course does not openly express it. The wife, more dramatic on the other hand, subtly displayed by Melissa Leo, depicts a mother who becomes agoraphobic as a result of this loss. Leo and Gandolfini later begin to play the role of almost substitutional parental figures for Stewart but whether things remain that way, are a question.

Kristen Stewart. Welcome to the Riley. 2010. Film Still.

The story in and of itself helps to reveal the way in which people's problems or issues can quickly become noticed. When the collision of these three main characters comes into effect, the truth emerges along with it. Once emerged, the process of actually being able to solve and move on with life can begin, as opposed to denying and avoiding the problems and personal struggles that often occur in life. 

Another underlining theme in the film is the complex intersection of relationships and how new relationships can easily be affected by one's own personal and private past. This is something I'm sure audiences can relate to, which allows for it to be a leading factor that makes this film feel both slightly real and somehow familiar.


Photos/Images: Welcome to the Rileys. Samuel Goldwyn Films/Destination Films. 2010. Film.